RastaRocket
Sanka, Ya Dead Mon? Ya Mon.
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If they make their own YouTube channel they can make good money off of it.
If they make their own YouTube channel they can make good money off of it.
I saw an article that said Gangnam Style pulled $8M in ad revenue from about 1B views at the time it was written.
I dunno what portion goes to Google and artist but that's gotta be serious cash.
Eminem looks to have about 1.5B views for songs off his Recovery album. Those videos may have pulled an amount similar to what he earned from the sale of the CDs.
Kinda wonder if artists create videos because it's not money the record label is entitled to.
Anyone know?
Also you see a lot of songs on the Vevo channel. I highly doubt that Vevo just uploads those songs for free, and they probably have a deal with the record labels. I believe that artists do want their songs on YouTube, some just may be against a random person like us slapping their songs on a highlight video or something without giving any credit.
Apparently it all had been going to VEVO, passing some to the labels who were supposed to pass a portion to artists but were not.
VEVO pulled $150M in 2011.
http://www.thewrap.com/music/blog-post/time-vevo-pay-35129/?page=0,1
Unreal. Record companies just bend the artists over.
That is pretty ridiculous, but it does show that plenty of money is out there to be made off of YouTube. Artists get bent over when they sign on to a label too soon. If you look at a guy like Macklemore, whether you like him or not, he held off from signing to a label and it payed dividends for him. It's a lot of hard work to produce everything and gain exposure yourself, but the equipment is there for these guys to wait until they are in high demand. If you are desperate and sign, the label will bend you over.
That is some good information on Vevo though, I had no idea about all of that.
I think you missed the point.
And quite frankly it shouldn't matter if the artist is worth $200 mil or $2.
It's all about fair compensation for someone who creates a piece of music that others want to hear.
If an arist doesn't want their stuff on those sites, they don't have to. I'm not sure what you consider to be the upper echelon, but I think artists are doing just fine when they get to the point of signing to a label and getting radio play.
But getting to the point of a label and getting radio play isn't like it use to be. And in the mean time they still have bills to pay.
Labels are only interested in sure things. They aren't into nurturing talent like they did prior to the "Hey, all music should be free" mindset that took hold with the advent of the Internet.
The only artist reallay affected by pirating our established, popular artist who are well off anyway.
I really think that has less to do with pirating and more to do with the increasing corporate nature of labels. People pirate music that is popular, not really up and comers. Besides, most good music comes out if the struggle anyhow. New bands shouldn't expect to make any kind of income until they cut an album, signed, and getting play and that's really the way it's always been.
The only artist reallay affected by pirating our established, popular artist who are well off anyway.
people pirate music cause they're a POS who is inconsiderate and loves to be a huge part of the problem.
as for youtube, again, do you go to youtube cause you were linked to a video or looking for something specific, or did you go cause someone said "hey, check out this video" such as in here, fbook or whatever? i know of NO ONE who goes looking for new music on youtube. yes it's popular, yes it serves a purpose and yes, it can make *some* people money. but me, if i go to watch a video and it says "your video will start shortly" and shoves an ad down my throat, i leave. i simply won't watch it and don't feel like i missed anything other than another lousy way for google to make another nickle.
now, as for the up and comers, name a few. if you can, where did you find out about them?
as for your last sentence, wow. i guess you totally missed the 80s where any half baked band with a gimmick that was just like the other guy was signed to a mega contract and in the end were barely an afterthought on the one hit wonder countdown.
any attempt to justify pirating is bull****.
period.
I'd imagine that was the case some time ago but many artist are signed to independent labels or just create their own.
The whole music thing is messed up. Really, what a crummy set up right now for artists who aren't in the upper echelon. It's darned difficult for most singers/bands to make any money.
Here was Bette Midler's tweet about how much she "earned" from Pandora...
."@Spotify and @Pandora have made it impossible for songwriters to earn a living: three months streaming on Pandora, 4,175,149 plays=$114.11."
That's just pathetic. Should a CD be $17.99? Probably not but should each play of her music be only worth
The whole "music should be free" mindset has taken away a lot of incentive for new music/groups IMO.
Just like most art (or so it seems), it's becoming less and less profitable unless it's commercialized. .
I usually find new music through the radio (artist already signed), at a show, or word of mouth. We have some local bands around here and I can guarantee that is not illegal DLs keeping them from fame. Funny you wont put up with advertising for using a free product because you don't want to give Google a dime. Could make the same argument against record companies.
We are living in a new technological age and the market will just have to adapt. It's nothing new. Would your 'morality sense' be buzzing from people making a copy of their friends cassette, or recoding a song from the radio, or a TV show on their VHS? How about simply letting a friend borrow a CD? It's the same thing on a grander scale. The $$ it takes to record an album has decreased and so has the $$ and effort it takes to make copies. Hell, people are making albums on the PCs now. I'm not saying it's morally justified, I'm just saying it's happening, it cant be stopped, and considering the massive profits if those of whom it really affects--I don't care.
So you don't go to YouTube to find music.