I figured I would do this post now as this will be my last actual post (I will respond to posts) in this thread as I have quit the NFL and by proxy I have quit the CowboysZone. This has nothing to do with CZ, the forum or even the Cowboys. It’s the direction that the NFL has taken and I simply no longer wish to have any support or any affiliation whatsoever with the league.
I knew this particular wrestler was a fan favorite, but in my experience of writing threads like this and writing in general it’s best to save these things for later. I’ve had a really good time writing this thread and hopefully exposing wrestling fans to talent that they are unfamiliar with.
On a side note, what I have seen out of modern wrestling lately is somewhat positive. I think New Japan is really stepping up their game and creating a product that has rejuvenated the interest of fans from Japan, but also created an interest with the US fans. It’s neat to see an non-Asian wrestler in Kenny Omega really become the ‘Ace’ of a Japanese company. I don’t think his matches he’s putting on are worth 6 stars or whatever Meltzer is writing about (I’ve known Meltzer on a somewhat personal level for over 20 years and love the guy). But, they are certainly worth 5 stars, especially his matches against Okada.
But the better news is that the indy wrestling scene really seems to be thriving, but in a unique format compared to previous decades. Indy promotions no longer have the goal of becoming the next ECW. They just want to run shows about once a month and be financially solvent. And the response has been great. There are still wrestling fans out there and they are not happy with the WWE product. And this has allowed wrestlers to make a living off pro wrestling. In fact, I think it’s getting to the point where, for many wrestlers…the WWE is no longer their ‘dream destination’ as a promotion to work for. There’s WrestleMania, but nothing much else is that appealing about the WWE as a product right now.
This has allowed more pro wrestlers to have the true freedom of being a legitimate independent contractor instead of being tethered to one company like the WWE. And that leads us to the truest of independent contractors, Bruiser Brody.
Bruiser Brody was born Frank Goodish in Pittsburgh, PA. His family had worked in the coal mines of Pennsylvania and moved to Detroit when Frank was young so they could go from the coal mines to the auto industry. Frank was a star football and basketball player at Warren High School. Brody eventually played football at the famous, West Texas State University and was drafted by the Washington Commanders. Brody was a bit of a surprise cut by the Commanders as he had remarkable size and athleticism, but was so raw in his football skills that the coaching staff didn’t think he could make it in the league.
Brody was then looking to become a sportswriter as he had a degree in Journalism from West Texas State. But while at West Texas State he met all of the other staple of future pro wrestlers in Tully Blanchard, Bobby Duncum, Sr., Manny Fernandez, Terry Funk, Tito Santana, Ted Dibiase, Barry Windham, etc. and fell in love with pro wrestling and decided to become a pro wrestler.
Defining the ‘greatest pro wrestler of all time’ is always an exercise in futility because there are so many standards that could apply and so many different styles, cultures and numerous other factors.
One could say that Hulk Hogan was the greatest because he drew the most. Of course, that doesn’t consider the drawing power of Rikidozan in Japan or Santo in Mexico or the amount of merchandise sold, ratings and PPV buyrates that Steve Austin had during his prime years.
You could go into the ‘best all around performer’ and come up with a Ric Flair. But, that’s entirely subjective with really no objective standards to speak of.
You could use in-ring performance, but again…that’s another subjective measure.
That’s why I can make an argument for Brody. He was a tremendous draw in Japan, Puerto Rico, Texas, Florida, New York and Chicago. He wasn’t a technical wrestler, but unlike Flair he could adapt to the Japanese style and was essentially a brawler that could effectively work well in any territory. And as far as his promos go, he was one of the very best.
Bruiser Brody, at his core, represented the talents that pro wrestlers have. And it’s something that young wrestlers could greatly benefit from watching. They don’t have to be 6’8” tall and 320 pounds and using a brawling style. That was Bruiser’s character. But at his core, he knew the fundamentals of being a pro wrestler and what has worked for decades and will continue to work.
Brody knew how to get over. How to be unique instead of being middle of the road. When you’re middle of the road, people have no interest in buying a ticket to watch you wrestle. When you’re middle of the road, people have no interest in watching you on TV. When you’re middle of the road, people have no interest in buying your merchandise.
Whether it was the long hair or shouting ‘huss!’ or the sheepskin boots, just like Eddie Gilbert doing a simple forward roll instead of ducking clotheslines or Randy Savage’s voice or Freddie Blassie sharpening his teeth like fangs or the Great Muta’s mist…uniqueness works well in wrestling.
Of course, uniqueness only goes so far. The fans have to believe in the wrestler. It’s as old as pro wrestling is…when the fans start to believe more and more…the more money it sells. The fans really believed that Bruiser Brody was as wild as he appeared on TV. And they believed that this Wildman was really destroying his opponent. It doesn’t matter if it’s 1975 or 2025 or if it is in Tokyo, San Juan, London, New York, St. Louis, LA or Memphis…believability draws. The fans try to meet the wrestler at some point by suspending their disbelief…but it’s the wrestler’s job to do everything they can to get the fans to minimize the amount they have to suspend their disbelief.
That means keeping kayfabe instead of showing the world on Twitter that you and your opponent are actually friends in real life. It also means keeping a healthy distance from the ‘marks’ because the closer you are to the fans, the less of a mystique the wrestler has. And mystique sells. It’s basically in the word ‘mystique:”
1. a fascinating aura of mystery, awe, and power surrounding someone or something
Fascination means people will pay money to see it. And Bruiser displayed that as well as anybody.
But Brody was also smart enough to realize that it’s easy to get stale in pro wrestling. And that what may work in Texas may not work in Florida and that may not work in Chicago.
Instead of completely changing his gimmick, Brody took the smarter tact of keeping the same base to his personality and ‘gimmick’, but altering it just enough to play to different crowds and to keep his personality fresh.
I mean, here we see somewhat articulate Brody cutting a rpomo:
And here we saw flat-out scary and insane Brody.
And that was Brody’s true legacy. He embodied that skillset and talent needed to be a great pro wrestler and that’s an skillset and talent that is uncommon to any type of entertainment. And that’s why I loved pro wrestling…it was unto itself. It was unique and there was no one type of person that could do it. We’ve seen incredible athletes fail badly at pro wrestling. We’ve seen impressive physical specimens get rejected by pro wrestling fans and we’ve seen great entertainers in other forms of entertainment struggle badly.
Brody was the quintessence of a pro wrestler and he happened to be 6’8” and 300+ pounds, strong as an ox with great agility and long curly hair. Long live the true hardcore wrestlers!
YR