The tough part about watching Japanese matches today is you had to kinda be there as a fan to fully appreciate and translate them.
From 85-95 All Japan had awesome tag matches as you had The Funks, Doc and Gordy, Hansen and Brody, Taue and Tsuruta, Taue and Kawada, Misawa and Kobashi, etc.
You had the Champion Carnival which was a round robin tournament that took place every Spring and lasted over several cards and they would keep the points of each participant over time leading the final match between the top 2 contestants. It added something to the promotion because it was another way to tell an angle besides relying on wrestlers chasing and defending the belts. It was booked kinda like the winner of the Royal Rumble, but it was far less predictable while still making sense. But that might get lost in translation watching it now since you may not quite grasp the importance of the match.
The same with many of the wrestlers. 6/8/90 Tsuruta vs. Misawa doesn't seem that incredible of a match, but it really was when you consider it was Misawa playing the role of the young lion trying to usurp Tsuruta out of his spot as the 'Ace' of the company. And it was built up so well that nobody really thought Misawa was going to win...but they thought he *could* win. And when he does and does it in such a shocking way it left me speechless. I just knew it was supposedly an incredible match and when I saw it on tape about 4 months after it happened...I realized it was. Dave Meltzer was actually at the match and people were crying because it symbolized the beginning of the end of Tsuruta as a top tier wrestler.
I always like New Japan. New Japan was a little more flashy and really liked to showcase the juniors. All Japan was all about big guys. Trying to make it look like a shoot. IIRC, in 1993 New Japan was technically the most profitable wrestling company in the world...even over the WWF. That's how big it was. The UWFi vs. New Japan feud was awesome. That is how you book an invasion feud. The problem I had with NJPW for the time was that their heavyweights simply weren't on the level of All Japan's. Mutoh was extremely talented, but you never knew which one was going to show up. The same with Shinya Hashimoto. Hase and Fujinami were probably the best performers on a consistent basis. Sasaki was okay and I never found much redeeming about Chono.
NJPW had a really good thing going in the early 90's with Vader and Bigelow, but they stopped using American talent and really got away from the Japanese vs. Gaijin. AJPW played to that a lot more with Dr. Death, Terry Gordy, Hansen, Gary Albright and even Johnny Ace (John Lauerinaitis...who was pretty decent in AJPW). But AJPW stopped playing to that Japan vs. Gaijin's after a while too and I think it hurt both companies.
But it will probably be difficult to translate things like Misawa...how he was the prodigy and made good on his hype and just had a knack for putting up incredible matches when the promotion needed them most. Funny thing is, out of the group he is by far the worst seller. But, if it was a big match that got a lot of hype, he could pull a 5 star match with just about anybody. Or things like Taue not living up to the hype of being the next Giant Baba or Kawada being the guy that wasn't beloved like Misawa or Kobashi.
If you can get over the language barrier and get into more old school psychology to building the match...you can really dig it.
Here's one of my favorites...Toshiaki Kawada vs. Mitsuharu Misawa 6/3/94.
Kawada (in the black and yellow) is really known for his kicks and Misawa (in the green) is known for his forearm/elbow shots, particularly his rolling elbow.
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