I did not care for Superman Returns much either but it was a lot better than Man of Steel in my opinion. It has nothing to do with Christopher Reeves as PJ says. I think Man of Steel was VERY poorly written and the battle with Zod in the end is ridiculous. Zod was hell bent on killing Kal-El and would have followed him to the end of the Earth to kill him yet Kal stays right in Metropolis to fight him.
That is just stupid writing to me.
That is an interesting take on that scene. I have criticized the scene in two ways. First, the battle between Zod and Kal-El extended into Earth's orbit and then resumed back in Metropolis. The two could have fell back anywhere outside Metropolis. Then again, Zach Synder would have had a much harder time connecting Kal-El and Lois Lang after Zod's defeat, which brings us to my second issue. How does Lois get to the scene of Zod's death so quickly? Now that's hard to explain.
Even so, these are mild to moderate observations of the plot's sequence of events. Before the final fight commenced, the Kryptonian world engine had laid waste to Metropolis. How many people perished and how many billions in property damage was not revealed. Even so, the city had become a literal war zone.
So I'm assuming that some movie observers contend it would be more believable for Superman to have relocated the battle to a desolute area, say, a desert, ocean or the North Pole? I guess that is an alternate battle strategy. It depends on re-seeding the hostile combatant, Zod, who has demonstrated zero compassion for humanity after attempting global genocide with his world engine, from the primary battlezone and planting him into a secondary battle zone. The strategy depends on Zod's lust for killing Superman to supercede any of his other thoughts--like killing everyone on Earth. The strategy also depends on Zod's anger dismissing his assessment of Kal-El that Kal-El will not defend humans because he is fighting Zod--even though the film has already shown Superman singlehandedly fighting multiple Kryptonians in defense of humans in Smallville and Metropolis.
I have a few questions. Hypothetically, what prevents Zod from temporarily halting his pursuit of a fleeing Kal-El, who will not abandon the planet because of Zod, stopping at population centers along Kal-El's flight plan and killing anyone along the way in the process? He has zero love for Kal-El and his human brothers and sisters. This is still Zod after all. He was the supreme military authority on Krypton. Would he not conclude that his enemy would stop retreating and instead, confront him wherever he stopped pursuing him? Also, why would Zod extend his battle outside the theater of destruction he initially created? He can defeat his enemy while extending the least among of effort and then devote his energies towards finishing his genocide of Earth.
I believe Snyder and Christopher Nolan's plot was much more realistic. It works on the premise of how battles have been fought on Earth for thousands of years. Admittedly, the alternative could have been more cartoonish, but I do not believe that was ever their aim for the movie.
I also did not like anything about the way they did Krypton or the whole Clark and Lois story where she knew who he was an alien before she even knew he was Clark Kent.
How would you envision an incredibly old, technologically advanced, humanoid species, living in the final days, existing on a planet separated by untold light years of space from Earth? Nolan and Synder created theirs for the movie and it was stunning. What is yours?
To be honest, I do not understand your difficulty with the Clark and Lois story. Why would it be necessary for Lois to first meet Kal-El posing as Clark Kent? My only conclusion is the decades old, Superman's alter ego fools everyone in the world especially Lois, storyline. If that's true, I would suggest that the movie creator's interpretation is more realistic. Since the 1930's or 1940's, Superman's alter ego as a Daily Planet reporter was advantageous. It allowed him be quickly alerted to dangers happening near Metropolis and around the world.
The movie storyline is about Jor-El allowing his son to discover and adopt humanity as his own. He does not know what he wants to do with his life yet. It is only after he has reached the level of maturity both sets of parents hoped he would reach, does he understand what he wants to do and how to do it. It is at that point that he wants to be a reporter.
That said, the movie creators were not obligated to intersect Clark's journey with one of Lois' journalistic investigations. They could have omitted it all together, but it would have delayed or erased all chance of a believable love relationship blossoming between the two characters as the movie progressed. It would have been equally difficult injecting Lois into the defensive effort against the Krytonians since her investigation would have been fruitless without having first run into Clark. I guess it would be plausible for Clark and Lois to start a relationship in the last 30 minutes or so of the movie amid the chaos. Or the creators could have simply copied the 1978 movie in regards to their chance meeting. I don't know. I like Hollywood trying to be innovative and challenge its audiences. Then again, some people really like Singer's
Superman Returns which was not very original at all. So I guess it's the old different strokes for different folks conclusion.
I also did not care for the way they used flashbacks to show him growing up in Smallville or the way Clark just shows up to work at the Daily Planet to work after at least half the city was destroyed?????
I think it is already time to reboot and go back to the drawing board. The Superman story has so much potential and they screwed it up royally.
Snyder and Nolan presented audiences with scenes of Kal-El journey of discovery and supplemented them with flashbacks giving them relevance. Again, why is it necessary for Clark to work at the Daily Planet early in the movie? Is a Superman movie supposed to be about Clark Kent as a Daily Planet reporter? Or is Superman movie supposed to be about Superman? I don't get the revulsion. It kind of makes me wish the early movies, cartoons and the various television series (except Smallville of course) had never been made. You cannot eliminate the early and golden age of Superman comics from the equation, but even so, I think all of the omissions I mentioned would have not warped the character so badly for 21st century audiences.